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BSG

J.S.Bach: Chorale: Zion hört die Wächter singen (BWV 140 #4), Continuo realization exercise by BSG

BSG

4:22	Est. Play Time
75	Measures
	1,889Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins		21	0	7	6	100%
Realization		17	66	3	4	99%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins		21	0	7	6	100%
Realization		17	66	3	4	99%
Continuo		20	0	5	3	99%
Violoncello		20	0	5	3	99%
Tenors		10	0	0	6	45%

Praise, my Soul, the King of Heaven (Lauda Anima) (with organ accomp. and newly-composed interlude (at Hauptwerk Doesburg ) and descant!)

BSG

6:56	Est. Play Time
133	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		20	29	7	4	98%
		17	4	4	3	62%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		20	29	7	4	98%
		17	4	4	3	62%
		23	17	7	4	100%
Alto		12	0	1	4	76%
Soprano		10	0	1	2	76%
Bass		17	0	4	4	57%
Tenor		10	0	1	4	57%
Descant		9	0	1	4	19%

J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)

BSG

3:40	Est. Play Time
71	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	3	5	69%
		16	0	3	6	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	3	5	69%
		16	0	3	6	100%
		8	0	1	3	45%
Cello		16	0	3	5	100%
Violin		22	0	7	3	94%
		16	0	3	4	94%
Viola		13	0	2	5	94%
Alto		8	0	2	3	45%
Bass		14	0	1	3	45%
Soprano		7	0	1	5	45%
Tenor		8	0	1	3	45%

J. S. Bach: Ich lasse dich nicht, du segnest mich denn (BWV 157, #1)

BSG

3:22	Est. Play Time
57	Measures
	1,948Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		23	0	8	4	100%
Cto		23	0	8	4	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		23	0	8	4	100%
Cto		23	0	8	4	100%
Oboe		21	0	7	7	96%
Violin		24	0	9	8	93%
Flute		21	0	8	8	91%
Bass		16	0	5	7	60%
Tenor		18	0	6	7	60%
FluteXEC		8	0	4	1	9%
OboXec		5	0	2	1	7%

C. Wesley: Lo! He comes, with clouds descending (Helmsley) (arr. BSG 2016)

BSG

4:55	Est. Play Time
104	Measures
	1,402Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		16	1	3	6	100%
		16	0	2	6	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		16	1	3	6	100%
		16	0	2	6	100%
		13	6	2	6	100%
Voice		10	0	0	6	75%
		10	0	0	6	75%
Bass Trombone		16	0	2	5	25%
Descant		10	0	0	5	25%

J. S. Bach: Ein' feste Burg ist unser Gott (BWV 80/I)

BSG

7:36	Est. Play Time
228	Measures
	3,159Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		18	54	7	4	33%
		26	0	10	7	96%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		18	54	7	4	33%
		26	0	10	7	96%
Vcl		26	3	10	7	96%
Tenor		18	0	7	5	86%
Viola		18	0	7	5	86%
Alto		18	0	6	6	84%
Violin 2		18	0	6	6	84%
Soprano		18	0	7	5	79%
Violin 1		18	0	7	6	79%
Bass		17	0	5	6	71%
Tromba 1		14	0	2	6	38%
Ped		10	0	2	5	33%
Trombone		10	0	2	5	33%
Tromba 2,3		11	20	1	4	22%
Timpani		2	0	0	3	21%
Oboe		13	16	3	5	20%

J. S. Bach: Ist Gott versöhnt (BWV 122 #4)

BSG

4:00	Est. Play Time
62	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		21	0	6	5	100%
Contrabass		21	0	6	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		21	0	6	5	100%
Contrabass		21	0	6	5	100%
Realization		22	39	7	6	98%
Tenor		15	0	3	5	77%
Soprano		18	0	6	6	76%
Alto		12	0	3	5	55%
Viola		11	0	3	4	42%

Arcangelo Corelli: Christmas Concerto (1690), Allegro (poss. model for JSB B Minor WTC-I prel.)

BSG

4:15	Est. Play Time
42	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	3	4	100%
		18	0	5	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	3	4	100%
		18	0	5	5	100%
Reallzation		23	32	8	7	100%
Violoncello		20	0	4	4	100%

J. S. Bach: Kyrie I (Missa H-moll, BWV 232)

BSG

10:12	Est. Play Time
127	Measures
	3,611Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
CB		27	0	9	7	100%
Org e cto		27	0	9	7	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
CB		27	0	9	7	100%
Org e cto		27	0	9	7	100%
Vcl/Cb		27	0	9	7	100%
Ob. da Cacc.		25	2	10	7	98%
Flute		22	1	9	7	90%
Bassoon		24	0	8	7	88%
Viola		26	0	10	6	88%
Violin 2		25	0	11	7	85%
Violin 1		24	0	8	7	84%
Tenor		19	0	7	6	72%
Alto		21	0	8	6	67%
Bass		21	0	8	7	62%
Soprano 1		22	0	8	6	61%
Soprano 2		20	3	8	6	53%
Church Organ		10	0	4	3	2%

J. S. Bach: Chorus: "Es ist nichts Gesundes an meinem Leibe", BWV 25 #1

BSG

4:58	Est. Play Time
74	Measures
	1,502Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello		25	0	9	7	99%
Contrabass		25	0	9	7	99%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello		25	0	9	7	99%
Contrabass		25	0	9	7	99%
Violin 2		20	0	6	5	89%
Viola		23	0	8	5	88%
Violin 1		20	0	7	6	86%
Alto		16	0	6	5	85%
Bass		18	0	6	8	84%
Tenor		18	0	6	6	84%
Soprano		17	0	6	7	81%
Tenor Trombone		12	0	3	4	28%
		12	0	3	5	28%
Bass Trombone		14	0	4	6	28%
C Trumpet		8	0	0	4	28%

J.S. Bach: Wenn aber jener, der Geist der Wahrheit (BWV 108, #4)

BSG

3:44	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cto.		21	0	4	4	100%
Tenor		16	0	5	6	98%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cto.		21	0	4	4	100%
Tenor		16	0	5	6	98%
Alto		14	0	3	5	95%
Bass		18	0	4	4	88%
Soprano		18	0	6	5	84%

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